A gallery of my work organized by year.
Jessica posed for an impromptu shoot with a fantastic iridescent spider web covered fabric back in 2009. Only a couple of these shots ever saw the light of day until now. She had no makeup, no hair styling, just her and the drape in front of a white wall.
Over the ensuing six years, my editing skills have improved significantly so I thought I’d see what I can do with them now. This gallery is the result. Enjoy.
NSW gallery behind the cut.
Over the last few months I’ve gone all the way back to 2000 and revisited all of my shoots. With 14 years of new tools, techniques at my disposal, I thought it’d be nice to see what diamonds I can find in the rather rough ‘cast-offs’ from my old shoots.
Warning: This is a very not safe for work gallery. Male and female nudity, some quite explicit, lies behind here. View at your own risk.
I will be moving all of my work to a new gallery system soon as part of a much larger restructuring and rebuild of my photoblog and my gallery. So enjoy the photos, but don’t let HR catch you, because as we all know, boobies make HR explode.
Click the image for the gallery.
My previous post started up a conversation with one of my favorite models who, surprisingly, has only posed for me twice. Here are a few re-visits and edits from our first shoot together, circa 2006. Enjoy.
I have taken to going back into my archives once a week and pulling out some of the rough gems that I passed over before. These are a few ‘resurrected’ shots from a set I took in 2008 of the lovely Jade.
All of these are safe for work, for a change.
(edit: Added one more photo to the gallery. It’s not a part of the sequence below, but was from the same shoot. It’s just too good NOT to include.)
Whenever I feel I’ve made a breakthrough on some new technique, I will go back and revisit some of my photo sets from past shoots. I’ve been known to go back 10 years or more and pull a new gem from the pile and polish it up to something I didn’t even know was possible then.
I’ve done that with a set of the lovely FireBitch from 2011. You’ve seen a few of the images from that set in both color and black & white, but this new tone & texture technique works much better for one of the sequences from that shoot than either of the ones I used then.
Enjoy, and you shouldn’t need the warning by now that images after the ‘more’ are not safe for work. Click for the full gallery.